KOMPARATIVISTIKA

The article analyzes the literary heritage of the writer Sinclair Lewis, who made a significant contribution to the American novel of the twentieth century. In particular, brief information is given about Lewis's popular novel "Ann Vickers", created in 1933. The main character of these works, Ann Vickers, and the social problems depicted through her - the place of women in modern society, the balance of family and profession, gender relations - are artistically illuminated. The article analyzes the artistic features of this character and the significance of it in Sinclair Lewis' oeuvre. S. Lewis's views on feminism are eternal due to their universality, as a continuation of the ideas of humanism; and it has been analyzed that his works are valuable because they reflect high humanitarian ideas

The article deals with the stages of development of the dystopian novel in English literature and the factors that caused it, the unhealthy social, economic, political, cultural and psychological environment in the world that became the subject of dystopian works, the problems of the unstable development of science and technology and their description in dystopian works. The abilities of English authors H.G. Wells, Edward Morgan Forster, Aldous Huxley, George Orwell, Anthony Burgess and Kazuo Ishiguro to write dystopian works, as well as the artistic originality of their works are analyzed. The article reflects the scientific and theoretical views of world literary scholars on the dystopian works of these authors. The author of the article expressed a scientific and theoretical attitude to the development of dystopia in English literature and its artistic and aesthetic value. To conduct the research, biographical, comparative typological, psychoanalytic, psychological, cultural-historical, and structural methods of analysis were used. The purpose of the article is to study the factors that influenced the creation of dystopian novels and stories in English literature and their historical evolution, as well as to study the essence of the scientific phenomenon of dystopian works in modern literary processes.

This scientific article focuses on the most prominent trends and concepts in the field of comparative literary studies, such as literary translation and world literature. At the same time, comparative literary studies and linguistic translation study shed light on the scientific point of intersection. Namely, it provides detailed information about the English translations of Mahmud Shabistari's work "Gulshani Roz", which is considered one of the masterpieces of world literature, and the scope of the study of the work.

The article, on a historical and comparative basis, examines the novel “Avlodlar Dovoni” by the famous Uzbek writer Pirimkul Kadyrov with Indian epics – “Mahabharata”, “Ramayana”. It is shown that there is a certain degree of similarity between the main characters of these works. On this basis, certain generalizations have been made about the connections between the epic and the novel. On this basis, certain generalizations have been made about the connections between the epic and the novel. On the agenda of world literary studies is the issue of a deep and comprehensive study of the history of fiction based on advanced methods and achievements of modern development, the evolution of social, cultural, scientific thought, the need to study literary and poetic features mature artistic creations that left a bright mark in the world of verbal art.

Abdulla Oripov's and Rauf Parfi's poetry has a prominent place in Uzbek poetry of the 20th century. This article briefly discusses the poets' style, artistic skills, and their uniqueness in expressing the experiences of the lyrical hero with the spirit of the times. To see the artist's individuality in creating a poetic image, expressing the inner and outer world of the human image with the help of his artistic words, glorifying the socio-historical and literary process as an aesthetic category, reflecting the ideological-aesthetic ideal of the poet, his social situation. possible The word "creator" is focused on a certain socio-aesthetic goal, idea, and feeling through its own and secondary layers of meaning. The means of artistic assimilation of people and reality of literature, including poetry, is realized through the task of poetic image. As the artist is a child of the times, the poetic image is updated according to the requirements of his artistic skill, individuality, creative intention, and style.

The great Irish writer James Joyce, who had an important place in the history of world literature, and his influence on contemporary literature, which shook the entire Western culture, and Uzbek literature, both national and world experiences. The process of renewal, which has aroused great interest not only among lovers of literature in our country, but also among people of world literature and literary studies, will be discussed about the skills of Nazar Eshanqul, as well as the role of their works in art. The works of James Joyce and Nazar Eshanqul with its peculiar style and puzzles in the text, literary complexity, it is sharply different from the work of other writers. This is the reason why the debates about their work have been going on for almost a hundred years without stopping. In the course of the research, James Joyce and Nazar Eshanqul are great writers with unique talents, and the thoughts, worldviews, and dreams of these great writers are known. It helps to understand and understand. Taking these into consideration, we present the opinions of great writers and their great works for our future generation because thier works give us a lot information history

Translation is an object of national linguistics, as well as literary studies, literary studies - comparative literary studies. Because it uses a framework to compare the work and the translation. A researcher who studies translation from the point of view of comparative literature should be familiar with these theoretical literatures, clearly understand what to compare and develop in the original work and the translation. In the third article, the object of comparative literary studies is the translation of some of the poet's ghazals into Russian by Baburologist I.V. was interpreted and analyzed based on the translations made by Stebleva. The study of Babur's work occupies a special place in the scientist's scientific heritage. In the article, it is proved that the verses of the ghazal have been wrongly translated in some places, which has caused them to be misinterpreted. Instead, the text of the ghazals in I.V. Stebleva's book was compared and identified with the translations of the Russian scientist, Baburologist A.N. Samoylovich, kept in the archives of the Russian Academy of Sciences. , I.V. Stebleva, who has a unique research method, specially studied the literary heritage of Bobur, literary scholar Yu. Lotman spoke about the structure and semantics of the work of art, and its enrichment by the science of Turkology was recognized anew.

The article is focused on the holistic-integral approach to the literary analysis of Ray Bradbury's works “The Martian Chronicles” and Isajon Sultan's “The Eternal Wanderer”. The article pays the main attention to comparative-typological analysis of genesis, genre, conceptual level, plot and composition, personal-philosophical attitude of the writers, etc. by means of methods and techniques of holistic approach. Integral analysis of fiction often involves examining the work through the lens of different developmental stages or levels of consciousness, as outlined in integral theory. This approach allows for a more nuanced understanding of how the story reflects and addresses different aspects of the human experience. Scholars and critics who utilize the integral method in analyzing fiction may draw from a range of disciplines and theoretical frameworks, including psychology, philosophy, cultural studies, and literary theory. By synthesizing insights from these diverse fields, they aim to offer a more comprehensive and nuanced interpretation of the literary work in question.

The purpose of this research is to scientifically research the issue of three types of historical images ideal historical images, real historical images and metaphorical historical images that play an important role in the artistic system of Alisher Navoi's "Khamsa". Accordingly, in the research, the aesthetic principles specific to the artistic interpretation of the same images within the five epics of "Khamsa" were analyzed in the context of world literature. Ideal historical images, their internal branching, the poetic significance of their repetition in five epics, their role in expressing the author's artistic goal and aesthetic ideal are discussed. The scope of poetic coverage, ethical and aesthetic status of the ideal historical image Muhammad alayhissalam from the point of view of the historical chronotope, which is the most frequently referred to in the work, is proved based on the analysis of specific quotes from the epics. In addition, the issue of compatibility between the images of Muhammad alayhissalam (r.a.) and other Prophets (a.s.), four great Companions (r.a.) whose names are mentioned in the Holy Qur'an, in terms of content and artistry, was specially discussed. Navoi's three great predecessors Nizami Ganjavi, Khusrav Dehlavi, Abdurahman Jami; The images of rulers Amir Temur, Mirza Ulugbek, Husayn Boygaro, Badiuzzamon, Shogarib Bahadir are interpreted as a real historical image, "author image", Khizr alayhissalam, Iskandar Zulqarnayn, etc., are interpreted as metaphorical types of historical images.

The article analyzes the autobiographical and satirical social motives found in the stories of Evelyn Waugh and Abdulla Kakhar. The first source about the theoretical and conceptual aspects of the motif is created by A.N. Veselovskiy. In his opinion, the motif is a formula that was created in the form of a figurative answer to the mysterious questions of nature in the centuries when humanity existed as a primitive society. Evelyn Waugh and Abdulla Kakhar effectively used autobiographical motifs in their stories. Through the autobiographical motif, the author usually describes his life in a coherent way, in which the desire to fully understand the social life in which the writer lived becomes an important character. Autobiography borders on similar genres in many respects: biography, memoirs, diaries. Autobiographical motives are manifested in the choice of the hero of the work, in the psychological analysis of his inner world, that is, when the author's biography is the basis for these. Considering autobiography as the basis of creativity is a subjective phenomenon. But the choice of the subject and the expression of autobiographical motives for depicting reality are based on the description of objective conditions: early orphanhood, participation in the war, unsuccessful relations with relatives all this creates a tragic picture of reality. Thus, the demand for a reliable depiction of reality and the images of his childhood, adolescence, and life in general give realism and truthfulness to the events of the work. As a result, the writers achieved an increase in drama in the depiction of events, a lively depiction of heroes. Comparative-typological, biographical, contextual analysis methods were used in the research process. The purpose of the article is to analyze the artistic details in the satirical stories of Evelyn Waugh and Abdulla Kakhar, to determine the satirical essence.

Translation is an object of national linguistics, as well as literary studies, comparative literary studies. Because it uses a framework to compare the work and the translation. A researcher who studies translation from the point of view of comparative literature should be familiar with these theoretical literatures, clearly understand what to compare and develop in the original work and the translation. In this article, the object of comparative literary studies is the translation of some of the poet's ghazals into Russian by Baburologist I.V. Stebleva, interpreted and analyzed based on the translations made by her. The study of Babur's work occupies a special place in the scientist's scientific heritage. In the article, it is proved that the verses of the ghazal have been wrongly translated in some places, which has caused them to be misinterpreted. The text of the ghazals in I.V. Stebleva's book was compared with the translations of the Russian scientist, Baburologist A.N. Samoylovich, kept in the archives of the Russian Academy of Sciences. I.V. Stebleva, who has a unique research method, specially studied the literary heritage of Bobur relying on the theoretical views of literary scholar Yu. Lotman about the structure and semantics of the work of art, and enriched the science of Turkology with new research.