This article examines the works of the prominent Uzbek poet Shavkat Rahmon within the context of world literature through comparative-typological and semio-poetic approaches. The study analyzes the aesthetic and artistic features of the poetʼs works, focusing on the issues of universality and national identity, the system of poetic images, and the principles underlying symbolic expression. Particular attention is given to the relationship between Shavkat Rahmonʼs poetry and the traditions of both classical and modern world literature, identifying their common and distinctive characteristics. The metaphorical representation of nature, the motifs of social and philosophical protest, the inner dialectics of the lyrical hero, and the artistic mechanisms of poetic thinking are interpreted from a semio-poetic perspective. The article also highlights the harmony between national traditions and universal human values, the artistic functions of symbols and metaphors, and the role of intertextuality in the poetʼs creative works. Based on these findings, the study substantiates Shavkat Rahmonʼs contribution to the development of Uzbek poetry and determines his place within the broader literary process of world literature.