THE ARTISTIC INTERPRETATION OF THE RELIGIOUS PLOT IN ABDULRAZAK GURNAHʼS NOVEL “PARADISE”
Authors: Khakimov Kamol Normukhammadovich
Published: October 27, 2025 • Vol. 19 Issue 7 • Views: 46
The novel, as an epic genre, stands out for its extensive formal
and temporal scope, its capacity to reflect social and philosophical
reality artistically, and its potential to address global themes through
literary expression. This universality allows it to be considered a
“literary chronicle of humanity.” The present article offers a
comparative-typological analysis of the novel “Paradise” by African
writer Abdulrazak Gurnah. The study examines the narrative
structure, system of characters, and their genealogical features within
the framework of literary theory.
The life story of the protagonist, Yusuf—a journey filled with
trials and adventures—is compared to the narrative of the Surah
“Yusuf” in the Holy Qurʼan. Commonalities and differences between
the religious text and the literary work are explored. The image of
twelve-year-old Yusuf, sold into slavery to a wealthy merchant due
to his parentsʼ debts, and the events that follow are analyzed in light
of religious interpretations using a comparative-typological method.
The article also addresses the theoretical challenges of
thematizing novels and offers reflections on the thematic direction of
“Paradise”, its social and spiritual dimensions, and their connection
to the essential characteristics of the novel as a genre.