PROBLEMS OF ARTISTIC IMAGE AND STYLE IN THE POETRY OF NORA GOMRINGER
Authors: Maʼdiyeva Adiba Dovudovna
Published: November 24, 2024 • Vol. 15 Issue 4 • Views: 56
In contemporary literary studies, the science of poetic verse and its related experiments, theoretical knowledge, and views on the principles of rhythm and form are subject to ongoing updates. In the context of todayʼs globalized world, the scientific and theoretical study of literature and culture from a specific historical and geographical perspective, focusing on the works of individual authors, has gained importance. This approach allows for an indepth examination of the originality of images, genres, and forms in their work, the distinctive methods and techniques employed, and the artistic vision that characterizes their creative output. The article is devoted to the contemporary German-Swiss poet Nora Gomringer, her unique style, which combines elements of unusual performance art and vocal poetry, and the reflection of her experimental nature in her poetry. In his work, he skillfully combines elements of traditional poetry with modern art forms, including performance and visual media. This analysis considers the various elements that contribute to Gomringerʼs distinctive style, including the subtlety of his language, his unique cognitive processes and perceptual abilities, his ability to provide clear and engaging descriptions, and the artistic uniqueness of his works, which encourage active engagement with language. The scientifictheoretical opinions expressed by German literary experts about the poetʼs work are presented in the article. The author of the article also expressed a scientific-theoretical attitude regarding the artistic aesthetic value of poetess Nora Gomringerʼs works in German literature. The purpose of the article is to study Nora Gomringerʼs work, which is distinguished by its vivid imagery and skillful use of rhythm, which makes it the most prominent melodic expression and essence of modern German literature.