The article provides a deeper explanation of the concept of

micro-space and discusses its literary and aesthetic function in creating

an artistic image of reality by analyzing the interconnectedness of

various types of artistic details in its expression. In modern literary

studies, regardless of type and genre, focusing on the role and

significance of artistic space in the semantic field of a literary work

forms the basis of powerful currents in the nature of the workʼs idea

and characters, as well as in the writerʼs philosophical views. This

approach at the end of the 20th and beginning of the 21st centuries

created a new artistic system for transforming disposition into

composition, traditionally portraying the protagonist amidst the turmoil

of events in a specific space and time, forming the gradual dynamics of

characters, and illuminating the aesthetic factors that influenced this.

The skillful use of modernist and postmodernist traditions by writers in

the artistic coverage of the infinite realms of time, space, and thought

led to the creation of works capable of transforming human

consciousness.

Within the framework of the study, the influence of portrait,

landscape, and psychological details on the protagonistʼs mental state,

inner experiences, and the plot of the work was analyzed using the

examples of Ernest Hemingwayʼs and Chingiz Aitmatovʼs stories.

Additionally, the article addresses opinions and views on artistic space

expressed in scientific works conducted by literary scholars.

One of the main objectives of the research is to explain the

extent to which micro-space is revealed through landscape, portrait,

and object details in the works of Ernest Hemingway and Chingiz

Aitmatov, as well as the similarities and differences in the styles of the

two writers in using these details. This article effectively employs

comparative-historical, psychological, and system-structural analysis

methods.